2D barcode tombstone
Ishinokoe (means “voice of stone”) K.K. announced their newly designed tombstone series “Kuyou no mado” (”commemoration windows”), which has QR Code (Japanese 2D bar code) inside.
This QR Code, enhanced version “Design QR Code”, developed and trademarked by IT Design, can have small extra images in the code, which does not prevent proper code scanning. In this case, the QR Code has the word “Kuyou no mado” at the center.
Visitors of the graveyard will be able to take a picture of the QR Code by cellphone, to access to the deceased person’s memorable photos and profiles.
The site is also planned to have a log feature that records who visits when, then families and relatives can share the history in future, as they said. They are also developing a plan to provide virtual grave visiting by celler phone for young generation’s convenience.
I am sure that this release hits also Japanese media, as this concept is weird even for Japanese people, however, this product also shows that how QR Code are commoditized in Japan. They are now flooding over typical usage on train ads, business cards and coupon flyers.
See Also:
Mobile barcodes:Huge success in Japan so far. | Asiajin
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9 Responses to “2D barcode tombstone”
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I don’t see why QR codes haven’t made the trip over here to North America yet. I wish my cell could read/use these.
[...] And the Japanese now even use QR codes on graves, as shown in the video below. It may sound macabre at first but seems to be a way to let people close to the person in question interact with each other without hassles, i.e. in the form of a mini social network that you can access with your mobile phone. The mourners can also access information about who paid a visit to the grave recently, get the deceased person’s profile and other data or set up a virtual grave. Another example of using QR codes in this context can be found here. [...]
[...] came across this post about barcode tombstones in Japan. Shows very clearly how much public acceptance the 2D barcode technology has got in [...]